Here the exquisite execution of the glossy and crisp hair of the dog, the bright sharp touching of the green bough beside it, the clear painting of the wood of the coffin and the folds of the blanket, are language — language clear and expressive in... The Illustrated photographer - Page 2411870Full view - About this book
| 1847 - 584 pages
...exquisite execution of the glossy and crisp hair of the dog, the bright sharp touching of the green bough beside it, the clear painting of the wood of...But the close pressure of the dog's breast against tJte wood, the convulsive clinging of the paws, which has dragged the blanket off the trestle, the... | |
| 1847 - 574 pages
...bright sharp touching of the gj-eon bough beside it, the clear painting of tho wood of the Coffin an4 the folds of the blanket, are language — language...But the close pressure of the dog's breast against (he wond, the convulsive clinging of the paws, which has dragged the blanket off the trestle, the total... | |
| William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1856 - 596 pages
...bright, sharp touching of the green bough beside it, the clear painting of the wood of the coffin and of the folds of the blanket, are language — language...breast against the wood, the convulsive clinging of the paw which has dragged the blanket off the treesel, the total powerlessness of the head laid close and... | |
| William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1856 - 594 pages
...exquisite execution of the glossy and crisp hair of the dog, the bright, sharp touching of the green bough beside it, the clear painting of the wood of the coffin and of the folds of tie blanket, are language—language clear and expressive in the highest degree. But... | |
| John Ruskin - 1857 - 502 pages
...the bright sharp touching of the green bough beside it, the clear painting of the wood of the coflin and the folds of the blanket, are language — language clear and expressive hi the highest degree. But the close pressure of the dog's breast against the wood, the convulsive... | |
| John Ruskin - 1857 - 500 pages
...exquisite execution of the glossy and crisp hair of the dog, the bright sharp touching of the green bough beside it, the clear painting of the wood of...the total powerlessness of the head laid, close and motionless, upon its folds, the fixed and tearful fall of the eye in its utter hopelessness, the rigidity... | |
| John Ruskin, Louisa Caroline Tuthill - 1859 - 504 pages
...exquisite execution of the glossy and crisp hair of the dog, the bright sharp touching of the green bough beside it, the clear painting of the wood of...the total powerlessness of the head laid, close and motionless, upon its folds, the fixed and tearful fall of the eye in its utter hopelessness, the rigidity... | |
| John Ruskin, Louisa Caroline Tuthill - 1859 - 496 pages
...exquisite execution of the glossy and crisp hair of the dog, the bright sharp touching of the green bough beside it, the clear painting of the wood of...the total powerlessness of the head laid, close and motionless, upon its folds, the fixed and tearful fall of the eye in its utter hopelessness, the rigidity... | |
| John Ruskin - 1859 - 504 pages
...exquisite execution of the glossy and crisp hair of the dog, the bright sharp touching of the green bough beside it, the clear painting of the wood of the coffin and the folds of the blanket, are language—language clear and expressive in the highest degree. But the close pressure of the dog's... | |
| David Masson, George Grove, John Morley, Mowbray Morris - 1904 - 600 pages
...exquisite execution of the glossy and crisp hair of the dog, the bright sharp touching of the green bough beside it, the clear painting of the wood of...the total powerlessness of the head laid, close and motionless, upon its folds, the fixed and tearful fall of the eye in its utter hopelessness, the rigidity... | |
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