 The Seven Lamps" was to show that certain right states of temper and moral feeling were the magic powers by which all good architecture, without exception, had been produced. "The Stones of Venice" had, from beginning to end, no other aim than to show...  Selections from the Works of John Ruskin - Page 198by John Ruskin - 1908 - 328 pagesFull view - About this book
 | 1867 - 902 pages
...Lamps of Architecture," — a truly noble work, in which, as is well known, he endeavoured to shew that " certain right states of temper and moral feeling...were the magic powers by which all good architecture, without exception, had been produced." The converse proposition is, of course, implied, and is capable... | |
 | John Ruskin - 1873 - 232 pages
...written, you must know that all I have yet said about architecture was to show this. The book I called The Seven Lamps was to show that certain right states...were the magic powers by which all good architecture, without exception, had been produced. The Stones of Venice had, from beginning to end, no other aim... | |
 | John Ruskin - 1873 - 228 pages
...written, you must know that all I have yet said about architecture was to show this. The book I called The Seven Lamps was to show that certain right states...were the magic powers by which all good architecture, without exception, had been produced. The Stones of Venice had, from beginning to end, no other aim... | |
 | John Ruskin - 1873 - 230 pages
...written, you must know that all I have yet said about architecture was to show this. The book I called The Seven Lamps was to show that certain right states...were the magic powers by which all good architecture, without exception, had been produced. The Stones of Venice had, from beginning to end, no other aim... | |
 | John Ruskin - 1874 - 164 pages
...written, you must know that all I have yet said about architecture was to show this. The book I called ' The Seven Lamps ' was to show that certain right states...were the magic powers by which all good architecture, without exception, had been produced. ' The Stones of Venice ' had, from beginning to end, no other... | |
 | John Ruskin - 1882 - 230 pages
...you must know that all I have yet said about architecture was to show this. The book I called T/ie Seven Lamps was to show that certain right states...were the magic powers by which all good architecture, without exception, had been produced. The Stones of Venice had, from beginning to end, no other aim... | |
 | John Ruskin - 1884 - 434 pages
...written, you must know that all I have yet said about architecture was to show this. The book I called ' The Seven Lamps' was to show that certain right states...were the magic powers by which all good architecture, without exception, had been produced. ' The Stones of Venice' had, from beginning to end, no other... | |
 | John Ruskin - 1885 - 410 pages
...you must know that all I have yet--said 'about architecture was to show tftis. The book I called ' The Seven Lamps ' was to show that certain right states...were the magic powers by which all good architecture, without exception, had been produced. 'The Stones of Venice' had, from beginning to end, no other aim... | |
 | John Ruskin - 1886 - 840 pages
...that all I have yet eaid about architecture was to show this. The book I called The Seven Lamps' ww to show that certain right states of temper and moral...were the magic powers by which all good architecture, without exception, had been produced 'The Stones of Venice' had, from beginning to end, no other aim... | |
 | John Ruskin - 1887 - 908 pages
...that all I have yet said about architecture was to show this. The book I called The Seven Lamps' wiw to show that certain right states of temper and moral...were the magic powers by which all good architecture, without exception, had been produced. ' The Stones of Venice ' had, from beginning to end, no other... | |
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