 According to him, it misleads painters, as for instance Diirer, to see and represent nothing in the human face but the skull. The artist should " take every sort of view of animals, in fact, except one — the butcher's view. He is never to think of them...  Congressional Serial Set - Page 6761892Full view - About this book
 | John Ruskin - 1872 - 252 pages
...grasp, or cling, or trot, or pat, in their paws and claws. He is to take every sort of view of them, in fact, except one, — the Butcher's view. He is never to think of them as bones and meat. Thirdly. — In the representation of their appearance, the knowledge of bones and meat, of joint and... | |
 | John Ruskin - 1872 - 252 pages
...grasp, or cling, or trot, or pat, in their paws and claws. He is to take every sort of view of them, in fact, except one, —the Butcher's view. He is never to think of them as bones and meat. Thirdly.—In the representation of their appearance, the knowledge of bones and meat, of joint and... | |
 | John Ruskin - 1872 - 252 pages
...grasp, or cling, or trot, or pat, in their paws and claws. He is to take every sort of view of them, in fact, except one, — the Butcher's view. He is never to think of them as bones and meat. Thirdly. — In the representation of their appearance, the knowledge of bones and meat, of joint and... | |
 | 1892 - 994 pages
...sees and portrays only the skull in the face. " The artist should take every sort of view of animals except one — the butcher's view. He is never to think of them as bones and meat." f It would be a waste of time and trouble to refute such errors, and demonstrate what an indispensable... | |
 | John Ruskin - 1887 - 782 pages
...grasp, or cling, or trot, or pat, in their paws and claws. He is to take every sort of view of them, in fact, except one, — the Butcher's view. He is never to think of them as bones and meat. Thirdly. — In the representation of their appearance, the knowledge of bones and meat, of joint and... | |
 | John Ruskin - 1891 - 520 pages
...grasp, or cling, or trot, or pat, in their paws and claws. He is to take every sort of view of them, in fact, except one, — the Butcher's view. He is never to think of them as bones and meat. Thirdly. — In the representation of their appearance, the knowledge of bones and meat, of joint and... | |
 | Sir Norman Lockyer - 1892 - 878 pages
...degradation, and has been essentially destructive to every school of art in which it has been practised." According to him, it misleads painters, as for instance...eyes, but it is better still to know, for instance, how the male and female skeleton differ ; why the kneecap follows the direction of the foot during... | |
 | 1892 - 894 pages
...degradation, and has been essentially destructive to every school of art in which it has been practised." According to him, it misleads painters, as for instance...eyes, but it is better still to know, for instance, how the male and female skeleton differ ; why the kneecap follows the direction of the foot during... | |
 | 1892 - 930 pages
...sees and portrays only the skull in the face. " The artist should take every sort of view of animals except one — the butcher's view. He is never to think of them as bones and meat." f It would be a waste of time and trouble to refute such errors, and demonstrate what an indispensable... | |
 | Smithsonian Institution. Board of Regents - 1893 - 786 pages
...before the University of Oxford. Even in the preface he deplores its pernicious influence on Mautegna and Diirer, as contrasted with Botticelli and. Holbein,...eyes, but it is better still to know, for instance, how the male and female skeleton differ ; why the kneecap follows the direction of the foot during... | |
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