Body Criticism: Imaging the Unseen in Enlightenment Art and MedicineIn this erudite and profusely illustrated history of perception, Barbara Stafford explores a remarkable set of body metaphors deriving from both aesthetic and medical practices that were developed during the enlightenment for making visible the unseeable aspects of the world. While she focuses on these metaphors as a reflection of the changing attitudes toward the human body during the period of birth of the modern world, she also presents a strong argument for our need to recognize the occurrence of a profound revolution—a radical shift from a textbased to a visually centered culture. Stafford agues, in fact, that modern societies need to develop innovative, nonlinguistic paradigms and to train a broad public in visual aptitude. |
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Body criticism: imaging the unseen in Enlightenment art and medicine
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Contents
Antinomies | 24 |
Hunting for Method | 34 |
Picture and Text | 40 |
DISSECTING | 47 |
or Corporeal Connoisseurship | 84 |
The Calculation of Incongruity | 103 |
Pathognomics | 120 |
Fig 5 | 151 |
Other editions - View all
Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine Barbara Maria Stafford No preview available - 1993 |
Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine Barbara Maria Stafford No preview available - 1993 |
Common terms and phrases
abstract according activity aesthetic anatomy ancient animal appearances artist Athanasius Kircher beauty became become believed Bethesda body Cambridge century Collection Colored conception concerning continued corporeal Courtesy National Library criticism Diderot disease effects eighteenth eighteenth-century Engraving Enlightenment Essays etching existence experience expression external eyes face figures French George George Cruikshank grotesque hand History human ideal ideas images imagination important individual intellectual invisible James Gillray John knowledge language late Lavater less Library of Medicine light London look material mathematical matter means mental metaphors method microscope mind monsters nature objects observer optical organs original painting Paris perception person philosophical Photo physical picture practice present Printed produced scientific seemed sense sight signs social soul spirit substance surface symbol term theory things thought tion University Press unlike vision visual vols