A History of Modern Criticism: 1750-1950: The later eighteenth century

18th century admired aesthetics ancient argued Aristotle artist Baretti beauty c'est Cesarotti character classical comedy conception condemned Corneille Dante Diderot discussion drama Eckermann effect emotional English epic Essay feeling French Genie genius genres German Goethe Goethe's Greek Hamann Herder Homer Houben human Ibid ideal ideas images imagination imitation individual Italian Johnson Joseph Warton Kunst language Laokoon Lessing Lessing's letter literary criticism literary history literary theory literature lyric means ment merely metaphor Milton mind modern Molière moral naive natural signs nature neo-Platonic neoclassical neoclassicism original Ossian painting Paris passions philosophy pity plays poem Poesie poet poetic poetry Pope praise prose purely Racine recognizes rhetoric romantic Schiller Schlegel seems sense sentimental Shakespeare Sophocles stage Sturm und Drang style sublime symbol taste theater Thomas Warton thought tion tradition tragedy translation unity verse Vico Voltaire Voltaire's Warton Weimar Werke whole writings