Region, Religion and Patronage: Lancastrian Shakespeare

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Richard Dutton, Alison Gail Findlay, Richard Wilson
Manchester University Press, 2003 - 258 pages
Explores the network of social, political and spiritual connections in north west England as a site for regional drama, introducing the reader to the non-metropolitan theatre spaces which formed a vital part of early modern dramatic activity. Uses the possibility that Shakespeare began his theatrical career to provide a range of new contexts for reading his plays. Examines the contexts in which the apprentice dramatist would have worked, providing new insight into regional performance, touring theatre & the patronage of the Earls of Derby. Examines the experiences of Catholic families and the way in which Lancashire's status as a Catholic stronghold led to conflict with central government's attempts to create a united state.. All this feeds into innovative readings of individual plays such as Twelfth Night, Romeo and Juliet and A Midsummer Night's Dream.
 

Contents

patronage theatre
32
Shakespeare via Bourdieu
50
modes of temporal
68
Country house Catholicity and the cryptic
84
the Simpsons
101
Suicide at the Elephant and Castle or did the lady vanish?
121
Shakespeare and Lancaster Richard Dutton
143
memory and survival in
169
Lancashire Shakespeare and the construction of cultural
186
dramatic patronage by the Earls
205
The playhouse at Prescot and the 159294 plague
227
Regional performance in Shakespeares time
243
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About the author (2003)

Richard Dutton is Humanities Distinguished Professor at Ohio State University Richard Wilson is Professor of Renaissance Literature in the Department of English at the University of Lancaster

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