 Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air, than in observing the exact similitude of every feature.  The Photo-beacon - Page 581894Full view - About this book
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 440 pages
...whole which would be imperfect without them. To every kind of painting this rule may be applied. Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air,' than in observing the exact similitude of every feature. Thus figures must... | |
 | Sir Joshua Reynolds - 1819 - 610 pages
...whole which would be imperfect without them. To every kind of painting this rule may be applied. Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air, than in observing the exact similitude of every feature. Thus figures must... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - 614 pages
...whole which would be imperfect without them. To every kind of painting this rule may be applied. Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air, than in observing the exact similitude of every feature. Thus figures must... | |
 | Sir Joshua Reynolds - 1824 - 332 pages
...whole which would be imperfect without them. To every kind of painting this rule may be applied. Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air, than in observing the e^act similitude of every feature. Thus figures must... | |
 | sir Joshua Reynolds - 1835 - 726 pages
...whole which would be imperfect without them. To every kind of painting this rule may be applied. Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air, than in observing the exact similitude of every feature. Thus figures must... | |
 | Sir Joshua Reynolds - 1842 - 318 pages
...whole which would be imperfect without them. To every kind of painting this rule may be applied. Even in portraits, the grace, and we may add, the likeness, consists more in taking the general air, than in observing the exact similitude of every feature. Thus figures must... | |
 | Sir Joshua Reynolds, Henry William Beechey, Thomas Gray, Charles-Alphonse Dufresnoy, William Mason - 1852 - 518 pages
...whole which yrould be imperfect without them. To every kind oi painting this rule may be applied. Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air, than in observing the exact similitude of every feature. Thus figures must... | |
 | Sir Joshua Reynolds - 1853 - 388 pages
...whole which would be imperfect without them. To every kind of painting this rule may be applied. Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air, than in observing the exact, similitude of every feature. Thus figures must... | |
 | Sir Joshua Reynolds, Allan Cunningham - 1860 - 398 pages
...whole which would be imperfect without them. To every kind of painting this rule may be applied. Even in portraits, the grace, and, we may add, the likeness, consists more in taking the general air, than in observing the exact similitude of every feature. Thus figures must... | |
 | Samuel Austin Allibone - 1880 - 772 pages
...permanent, which has annexed to it no ideas of meanness from its being familiar to us. SIR J. REYNOLDS. In portraits, the grace, and, we may add, the likeness, consists more in taking (he general air than in observing the exact similitude of every feature. SIR J. REYNOLDS. If... | |
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