Modern Painters: part V: Of many things

admiration Apennine Aristophanes artist asphodel meadows beauty believe blue chapter character Claude clouds colour Correggio Dante Dante's dark delicate delight divine drawing effect emotion endeavour engraving evil expression exquisite fact fallacy false farther feeling finish flowers give grass Greek grey griffin grotesque heart high art hills Homer human idea ideal ideal art imagination imitation infinite instance instinct invention kind landscape less light Lombardic look Malebolge Masaccio matter means medieval merely mind modern Molière mountain nature never noble observe painter painting passage passion pathetic fallacy Paul Veronese perfect persons picture Plate pleasure poet poetical poetry possible Pre-Raphaelite present principles Purgatory racter reader represented respecting rocks scene scenery Scott seems seen sense shadow simple Sophocles speak spirit Stones of Venice suppose things thought Titian trees true truth Turner vulgar whole word Wordsworth