The Theory of Poetry in England: Its Development in Doctrines and Ideas from the Sixteenth Century to the Nineteenth CenturyPhaeton Press, 1970 - 319 pages |
Contents
THEORY OF POETIC CREATION | 1 |
POETRY AS AN IMITATIVE | 42 |
THE RULES | 50 |
Copyright | |
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action admiration Aeneis allegory ancients Aristotle beauty Biographia Literaria blank verse character colours composition criticism delight descriptive poetry divine doth DRYDEN effect English English Poetry epic epic poetry Essay Euripides excellent excitement expression fable faculty false fancy faults feeling feigned fiction G. H. LEWES genius give Greek harmony hath Homer Horace human ideas images imagination imitation invention JOHNSON judge judgment kind language learning Lives Lyrical Ballads manner matter mean metre Milton mind modern moral nature never objects observed original Ovid passions perfect philosophical Pindar pleasing pleasure poesy poet poet's poetical Poetry and Painting Pope praise Preface principles produced prose reader reason resemblance rhyme rules S. T. COLERIDGE sense Sophocles sort soul sound species spirit style sublime syllables T]he taste things thought tion tragedy translation true truth versification Virgil vulgar words WORDSWORTH write