 His handling, the manner of leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never learned from others the usual and regular practice belonging to the...  The Discourses - Page 244by Sir Joshua Reynolds - 1887 - 283 pagesFull view - About this book
 | sir Joshua Reynolds - 1801 - 450 pages
...leaving the colour st or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 pages
...leaving the colours, or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...regular practice belonging to the art; but still, t/like a man of strong intuitive perception of what was required, he found out a way of his own to... | |
 | Sir Joshua Reynolds - 1809 - 442 pages
...leaving the colours, or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...the usual and regular practice belonging to the art; bijt still, like a man of strong intuitive perception of what was required, he found out a way of his... | |
 | Sir Joshua Reynolds - 1819 - 446 pages
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | sir Joshua Reynolds - 1819 - 440 pages
...leaving the colours,. or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...found out a way of his own to accomplish his purpose. x It is no disgrace to the genius of Gainsborough, to compare him to such men as we sometimes meet... | |
 | Sir Joshua Reynolds - 1824 - 324 pages
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...of Gainsborough, to compare him to such men as we sometiiae* meet with, whose natural eloquence appears even is speaking a language which they can scarce... | |
 | Sir Joshua Reynolds - 1835 - 514 pages
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | sir Joshua Reynolds - 1835 - 536 pages
...leaving tlie colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | Sir Joshua Reynolds - 1842 - 318 pages
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | Sir Joshua Reynolds - 1846 - 506 pages
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand;... | |
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