Modern Painters, Volume 3Smith, Elder, 1856 |
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Albert Durer Apennine artists beauty believe blue chapter character Claude clouds colour Correggio Dante Dante's dark delicate delight divine drawing effect emotion endeavour engraving evil expression exquisite fact fallacy false farther feeling finish flowers give grass Greek grey griffin grotesque ground heart high art hills Homer human idea ideal ideal art imagination imitation infinite instance instinct kind landscape less light Lombardic look Malebolge Masaccio matter means medieval medieval art merely mind modern Molière mountain nature never noble observe painter painting passion pathetic fallacy Paul Veronese perfect picture Plate pleasure poet poetical poetry possible Pre-Raphaelite present principles Purgatory racter reader represented respecting rocks scene scenery Scott seems seen sense shadow simple speak spirit Stones of Venice suppose sweet things thought tion Titian trees true truth Turner vulgar whole word Wordsworth