The Cambridge Companion to Shakespeare and Popular CultureRobert Shaughnessy Cambridge University Press, 2007 M06 28 - 291 pages This Companion explores the remarkable variety of forms that Shakespeare's life and works have taken over the course of four centuries, ranging from the early modern theatrical marketplace to the age of mass media, and including stage and screen performance, music and the visual arts, the television serial and popular prose fiction. The book asks what happens when Shakespeare is popularized, and when the popular is Shakespeareanized; it queries the factors that determine the definitions of and boundaries between the legitimate and illegitimate, the canonical and the authorized and the subversive, the oppositional, the scandalous and the inane. Leading scholars discuss the ways in which the plays and poems of Shakespeare, as well as Shakespeare himself, have been interpreted and reinvented, adapted and parodied, transposed into other media, and act as a source of inspiration for writers, performers, artists and film-makers worldwide. |
Contents
Section 1 | 46 |
Section 2 | 67 |
Section 3 | 73 |
Section 4 | 79 |
Section 5 | 83 |
Section 6 | 84 |
Section 7 | 134 |
Section 8 | 199 |
Section 9 | 211 |
Section 10 | 214 |
Section 11 | 227 |
Section 12 | 248 |
Section 13 | 262 |
Other editions - View all
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy No preview available - 2007 |
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy No preview available - 2007 |
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy No preview available - 2007 |
Common terms and phrases
abbreviated actors adaptation Age of Kings Anne Hathaway artistic audience ballads Bard become biographical Birthplace British broadcast century characters clowns comedy contemporary costumes critics death Desolation Row detective fiction Dylan early modern edition Elizabethan English episode example fairy Falstaff fiction film Folio forms Garrick genre Gertrude and Claudius Gielgud Globe Hamlet Henry Henry IV history plays Ibid illustrated imagination John Jubilee literary London Macbeth Midsummer Night's Dream murder narration narrative Night novel Olivier Olivier's Ophelia Oxford painting performance perspective Peter playbill playwright plot popular culture poster production radio drama Richard Richard III role Romeo and Juliet Royal Shakespeare Company scene screen sense serial Shakespeare's plays Shakespearean drama Shottery social song spectators stage star story Stratford Stratford-upon-Avon television theatre theatrical tion tourist tradition Victorian visual William William Shakespeare writing