| 1787 - 512 pages
...angles from their trunk, or follow each other with only a gentle inclination. All thcfe circumilances contribute to the general character of the work, whether it be of the elegant, or of the more fublime kind. If we add to this, the powerful materials of lightnefs and darknefs, over which the artift... | |
| sir Joshua Reynolds - 1801 - 450 pages
...like those of Titian or Salvator Rosa, — or, like those of Claude, are gilded with the setting sun; whether the mountains have sudden and bold projections,...kind. If we add to this the powerful materials of lightness and darkness, over which the Artist has complete dominion, to vary and dispose them as he... | |
| Sir Joshua Reynolds, Edmond Malone - 1801 - 452 pages
...like those of Titian or Salvator Rosa, — -or, like those of Claude, are gilded with the setting sun; whether the mountains have sudden and bold projections,...kind. If we add to this the powerful materials of lightness and darkness, over which the Artist has complete dominion, to vary and dispose them as he... | |
| Sir Joshua Reynolds - 1809 - 442 pages
...like those of Titian or Salvator Rosa,-—of* like those of Claude, are gilded with the setting sun ', whether the mountains have sudden and bold projections,...whether it be of the elegant, or of the more sublime kirid. If we add to this the powerful materials of lightness and darkness, over which the Artist has... | |
| 1843 - 844 pages
...Rosa — or, like those of Claude, are gilded with the setting sun ; whether the mountains have hidden and bold projections, or are gently sloped ; whether the branches of his trees ihoot out abruptly in right angles from their trunks, or follow each other with only a gentle inclination.... | |
| sir Joshua Reynolds - 1819 - 440 pages
...like those of Titian or Salvator Rosa, — or, like those of Claude, are gilded with the setting sun ; whether the mountains have sudden and bold projections,...kind. If we add to this the powerful materials of lightness and darkness, over which the Artist has complete dominion, to vary and dispose them as he... | |
| Sir Joshua Reynolds - 1819 - 446 pages
...like those of Titian or Salvator Rosa, — or, like those of Claude, are gilded with the setting sun; whether the mountains have sudden and bold projections,...kind. If we add to this the powerful materials of lightness and darkness, over which the Artist has complete dominion, to vary and dispose them as he... | |
| Sir Joshua Reynolds - 1824 - 324 pages
...like those of Titian or Salvator Rosa,—or, like those of Claude, are gilded with the setting sun ; whether the mountains have sudden and bold projections,...kind. If we add to this the powerful materials of lightness and darkness, over which the artist has complete dominion, to vary and dispose them as he... | |
| Hewson Clarke, John Dougall - 1825 - 892 pages
...style ? Like Nicholas Poussin, he transports us to the -environs of ancient Rome, with all the objects which a literary education makes so precious and interesting...circumstances contribute to the general character 'tjaf the work, whether it be of the elegant, or of the more sublime kind. «* If we add to this the... | |
| Sir Joshua Reynolds - 1835 - 514 pages
...like those of Titian or Salvator Rosa, — or, like those of Claude, are gilded with the setting sun ; whether the mountains have sudden and bold projections,...kind. If we add to this the powerful materials of lightness and darkness, over which the artist has complete dominion, to vary and dispose them as he... | |
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