Harrison's British Classicks: The Idler. Fitz Osbornes Letters. Shenstones Essays. Launcelot Temple's Sketches. The Lover
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able action admired advantage affection allow appear attention beauty becauſe believe called character common confider defire equal expected eyes faid fame feems fenfe fentiments fhall fhew fhould fince fome fomething fometimes fortune frequently fuch fuppofe fure genius give hand happy heart himſelf honour hope hour human ideas Idler imagination it's kind knowledge known lady laft language learned leave lefs LETTER live look mankind manner means ment mention merit mind moft moſt nature never obferved object occafion once opinion paffed paffion perfon perhaps pleaſure poet prefent produce proper reafon received talk tell thefe themſelves thing thofe thoſe thought tion told true truth turn virtue whofe whole wife write
Page 119 - ... to prove that one species is really more beautiful than another. That we prefer one to the other, and with very good reason, will be readily granted; but it does not follow from thence that we think it a more beautiful form; for we have no criterion of form by which to determine our judgment.
Page 115 - Venetian school, which may be said to be the Dutch part of the Italian genius. I have only to add a word of advice to the painters, that however excellent they may be in painting naturally, they would not...
Page 65 - If the parts of time were not variously coloured, we should never discern their departure or succession, but should live thoughtless of the past, and careless of the future, without will, and perhaps without power, to compute the periods of life, or to compare the time which is already lost with that which may probably remain.
Page 65 - Let him that desires to see others happy make haste to give while his gift can be enjoyed, and remember that every moment of delay takes away something from the value of his benefaction. And let him, who purposes his own happiness, reflect, that while he forms his purpose the day rolls on, and the night cometh when no man can work.
Page 119 - I suppose nobody will doubt, if one of their painters were to paint the goddess of beauty, but that he would represent her black, with thick lips, flat nose, and woolly hair ; and, it seems to me, he would act very unnaturally if he did not...
Page 138 - None will flatter the poor, and the wise have very little power of flattering themselves. That man is surely the most wretched of the sons of wretchedness, who lives with his own faults and follies always before him, and who has none to reconcile him to himself by praise and veneration. I have long sought content, and have not found it ; I will from this moment endeavour to be rich.
Page 65 - ... accuracy the course of time, appear to have little sensibility of the decline of life. Every man has something to do which he neglects ; every man has faults to conquer which he delays to combat. So little do we...
Page 52 - The spirit, volatile and fiery, is the proper emblem of vivacity and wit ; the acidity of the lemon. will very aptly figure pungency of raillery, and acrimony of censure; sugar is the natural representative of luscious adulation and gentle complaisance ; and water is the proper hieroglyphic of easy prattle, innocent and tasteless.
Page 119 - To instance in a particular part of a feature ; the line that forms the ridge of the nose is beautiful when it is straight; this, then, is the central form, which is oftener found than either concave, convex, or any other irregular form that shall be proposed.
Page 143 - I had now nothing left but retirement ; and for retirement I never found a time, till disease forced me from public employment.