A car of fire I see towards me soar On pinions light, I feel my spirit high By a new road the ether to explore, For unknown spheres a purer energy. Thou late but worm, what worth of thine doth earn This lofty life, this ecstacy divine ; Aye, only now resolve thy back to turn Upon the sun that on thy earth doth shine. Those gates, whence others cowering hold aloof, Thou, armed in dauntlessness, in sunder tear; Here is the time thy deeds shall give the proof, Man's dignity shrinks not God's loftiness to share. Before that sable cavern not to quail, Where Fancy her own torments doth invent; Uncowed that narrow entrance to assail, Through whose close mouth all Hell in flames is sent; Serenely resolute the step to take, Being or nothingness on the cast to stake. Now come, thou goblet, down, of crystal clear, Of all thy many pictured ornaments,* Then at one draught to drain thy whole contents, Here my last draught with my whole soul I drain, [He sets the cup to his mouth Peal of bells and chorus. CHORUS OF ANGELS. Christ has arisen from the tomb, Let the hour all mortals bless, Goblets, curiously stained, and many of great antiquity, abound in Germany. The Emperor and the seven electors, and some historical and scriptural paintings, are favourite subjects. It was customary in many great houses, upon the birth of an heir, to cause a glass of this sort to be blown, to become an heirloom, the size of the glass being frequently proportional to the rank of the family. As these were carefully preserved, they accumulated in great numbers, and the text alludes to a sort of game in which they were employed. Whose hereditary doom, Is to be girt with wickedness. FAUST. What a deep murmur on the night air swells, The goblet from my mouth. Ye hollow bells, CHORUS OF WOMEN. His body in death With spices we dressed, We left him to rest; With graveclothes we bound. Alas, and we found Christ no more here. CHORUS OF ANGELS. Glorious in resurrection, Christ is arisen on high, Ye tones of Heaven, with me that dwell in dust? I dare not strive those distant spheres to gain, * There is in souls a sympathy with sounds, Where memory slept. Whenever I have heard The kiss of heavenly love upon me fell, In the deep stillness of the Sabbath calm, The heart-felt fulness of the Sabbath bell, A prayer to my glad soul sufficient balm, Beyond conception sweet, a holy longing, Drove me to wander forth through wood and mead, And in the thousand tear-drops warmly thronging, I felt a world grow up, mine own indeed. The joyous sports of youth those tones revealing, Of the spring feast once more the joys unfolds, And recollection fraught with childish feeling, Me from the last dread step of all withholds; Oh sound, sound on, thou sweet celestial strain, The tears well forth, the earth hath me again. CHORUS OF DISCIPLES. Has he that tombed did lie Already gloriously A kindred melody, the scene revives, And with it all its pleasures, all its pains.-Cowper. The Hindoos account for the mysterious influence which melody exercises over the tone of our minds, by saying, that it is the spirit language in which our souls conversed, before the task of animating bodies was imposed upon them, and that music, reviving a dim shadowy recollection of a better state, softens, elevates, and directs heavenward the mind, enfranchising it for the moment from the matter that encumbers it. |