 | 1791 - 618 pages
...nothing to do. Quod Juper not, itibil ad not. — The artifts of that age, even Raphael himfelf, feemed to be going on very contentedly in the dry manner of Pietro Perugino, and if Michael Augelo had never appeared, the Art might Hill have continued in the fame flile.' We pals over much... | |
 | 1792 - 724 pages
...do. $>uoii fuftr яо.<, nikil ad nos. — The artîfts ¿f- that age, «ven Raphael himfelf, feemed to be going on very contentedly in the dry. manner of Pietro Perugmo, and if Michael Angelo hod never appeared, theart might ftill have continued in the fame ftile.... | |
 | 1795 - 688 pages
...in the fame ft i le. BeñcesRomcnnd Florence, where the grandeur of this fHle was fii-ft Jifplayed, it was on this foundation that the Caracci built the truly great Academical Bolognian School, of vyhich the f.rft Hone was laid by Pellegrino 'fibaldi. He firft introduced this ftile amongil them;... | |
 | Sir Joshua Reynolds - 1809 - 442 pages
...something to be admired, but with which they have nothing to do: quod super nos, nibil ad not.—The Artists of that age, even Raffaelle himself, seemed...be going on very contentedly in the dry manner of PietVo Perugino; and if Michael Angelo had never appeared, the Art might still have continued in the... | |
 | 1843 - 844 pages
...transferring to painting the grandeur they admired in ancient sculpture. " Raffaelle himself seemed to he going on very contentedly in the dry manner of Pietro...art might still have continued in the same style." " On this foundation the Caracci huilt the truly great academical Bolognian school; of which the first... | |
 | Sir Joshua Reynolds - 1819 - 446 pages
...something to be admired, but with which they have nothing to do: quod super nos, nihil ad nos. — The Artists of that age, even Raffaelle himself, seemed...that the Caracci built the truly great Academical Bolognlan school, of which the first stone was laid by Pellegrino Tibaldi. He first introduced this... | |
 | William Paulet Carey - 1825 - 168 pages
...quod super nos, jdhil ad nos. The artists of that age, even Raphael himself, seemed to be going on contentedly in the dry manner of Pietro Perugino;...art might still have continued in the same style." These facts show, that if all the wonders of art that ever existed in Greece or Italy were at this... | |
 | Lives - 1833 - 588 pages
...something to be admired, but with which they have nothing to do : quod super nos, nihil ad not. The artists of that age, even Raffaelle himself, seemed...going on very contentedly in the dry manner of Pietro Perugirio ; and if Michael Angelo had never appeared, the art might still have continued in the same... | |
 | Society for the Diffusion of Useful Knowledge (Great Britain) - 1833 - 584 pages
...something to be admired, but with which they have northing to do : quod super no», ni hi! ad no». The artists of that age, even Raffaelle himself, seemed...be going on very contentedly in the dry manner of Pietto Perugino ; and if Michael Angelo had never appeared, the art might still have continued in the... | |
 | Society for the Diffusion of Useful Knowledge (Great Britain) - 1833 - 584 pages
...something to be admired, hut with which they have nothing to do : quod »uper nos, nihil ad nog. The artists of that age, even Raffaelle himself, seemed...be going on very contentedly in the dry manner of Retro Perngino ; and if Michael Anjelo had never appeared, the art might still have continued in the... | |
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The Artists of that age, even Raffaelle himself, seemed to be going on very contentedly in the dry manner of Pietro Perugino; and if Michael Angelo had never appeared, the Art might still have continued in the same style. 
