The Discourses

acquired admiration Albert Durer ancient Annibale Caracci appear artist attain attention Carlo Maratti character Claude Lorrain colouring composition considered copy Correggio criticism defects degree dignity DISCOURSE distinguished drapery drawing dress effect elegance endeavour equally excellence expression finished Gainsborough genius give grace grandeur Guercino habit highest idea of beauty imagination imitation invention Joseph Skipsey JOSHUA REYNOLDS judgment justly kind labour light and shadow manner Masaccio masters means method Michel Angelo mind minute modern nature necessary never object observed opinion ornaments painters painting particular passions Paul Veronese peculiar perfect perhaps Phidias picture Pietro Perugino poetry portraits possessed Poussin practice principles produced Raffaelle rank reason recommend Rembrandt Reynolds Royal Academy Rubens rules Sculptors sense Sergius Paulus simplicity Sir Joshua spectator Students style suppose taste things thought Tintoret tion Titian true truth variety Venetian Venetian school Veronese vulgar whole wish