The Discourses

acquired admiration Albert Durer ancient Annibale Caracci appear artist attain attempt attention Caracci Carlo Maratti character Claude Lorrain colouring composition considered copy Correggio criticism defects degree dignity DISCOURSE distinguished drapery drawing dress effect elegance endeavour equally expression figure finished Gainsborough genius give grace grandeur habit highest idea of beauty imagination imitation invention Joseph Skipsey JOSHUA REYNOLDS judgment justly kind labour light and shadow manner Masaccio masters means merit method Michel Angelo mind minute modern nature never object observed opinion ornamental painters painting particular passions Paul Veronese peculiar perfect perhaps Phidias picture Pietro Perugino poetry portraits possessed Poussin practice praise principles produced Raffaelle rank reason recommend Rembrandt Reynolds Royal Academy Rubens rules Sculpture Sergius Paulus simplicity Sir Joshua spectator Students style suppose taste things thought Tintoret tion Titian true truth Venetian Venetian school Veronese vulgar whole wish