The Critical and Miscellaneous Prose Works of John Dryden: Now First Collected : with Notes and Illustrations, Volume 1, Part 2Cadell and Davies, 1800 - 596 pages |
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Other editions - View all
The Critical and Miscellaneous Prose Works of John Dryden: Now First ... John Dryden No preview available - 2019 |
The Critical and Miscellaneous Prose Works of John Dryden: Now First ... John Dryden No preview available - 2014 |
Common terms and phrases
acted action admire afterwards already ancients answer appears audience beauty believe called character Charles comedy concerning Cousin daughter death desire died Dryden Duke Earl edition English Essay excellent expressions father favour French friends give given hand hear honour hope imitation Italy JOHN JOHN DRYDEN judge judgment kind King lady language lately learned least leave letter lines lived Lord MADAM manner mean nature never observed opinion original Oundle passions perhaps person Plautus play plot poem poet present printed probably published reason received relations represented rest rhyme scenes seems sent Servant Shakspeare shew speak stage Steward supposed tell thing thought TONSON town tragedy translated verse Virgil wife write written
Popular passages
Page 79 - All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there.
Page 106 - This last is indeed the representation of nature, but 'tis nature wrought up to an higher pitch. The plot, the characters, the wit, the passions, the descriptions are all exalted above the level of common converse, as high as the imagination of the poet can carry them, with proportion to verisimility.
Page 79 - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him; no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets *Quantum lenta solent inter viburna cupressi.
Page 262 - ... saw before him. He knew that any other passion, as it was regular or exorbitant, was a cause of happiness or calamity. Characters thus ample and general were not easily discriminated and preserved; yet perhaps no poet ever kept his personages more distinct from each other. I will not say with Pope, that every speech may be assigned to the proper speaker...
Page 25 - ... almost a new nature has been revealed to us ? that more errors of the school have been detected, more useful experiments in philosophy have been made, more noble secrets in optics, medicine, anatomy, astronomy, discovered, than in all those credulous and doting ages from Aristotle to us ? — so true it is, that nothing spreads more fast than science, when rightly and generally cultivated.
Page 12 - Ne pueros coram populo Medea trucidet, Aut humana palam coquat exta nefarius Atreus, Aut in avem Progne vertatur, Cadmus in anguem. Quodcunque ostendis mihi sic , incredulus odi.
Page 82 - One cannot say he wanted wit, but rather that he was frugal of it. In his works you find little to retrench or alter. Wit and language, and humour also, in some measure, we had before him ; but something of art was wanting to the drama till he came.
Page 274 - And thus still doing, thus he pass'd along. DUCH. Alas, poor Richard! where rides he the whilst? YORK. As in a theatre, the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Page 143 - Our language is noble, full, and significant, and I know not why he who is master of it may not clothe ordinary things in it as decently as the Latin, if he use the same diligence in his choice of words.
Page 162 - Pontus ; we know that there is neither war nor preparation for war; we know that we are neither in Rome nor Pontus, that neither Mithridates nor Lucullus are before us. The drama exhibits successive imitations of successive actions, and why may not the second imitation represent an action that happened years after the first if it be so connected with it that nothing but time can be supposed to intervene ? Time is, of all modes of existence, most obsequious to the imagination; a lapse of years is...