Interpreting the Self: Two Hundred Years of American Autobiography

Front Cover
University of Chicago Press, 2000 M04 15 - 263 pages
In this ambitious study, Diane Bjorklund explores the historical nature of self-narrative. Examining over 100 American autobiographers published in the last two centuries, she discusses not only well-known autobiographies such as Mark Twain and Andrew Carnegie but also many obscure ones such as a traveling book peddler, a minstrel, a hotel proprietress, an itinerant preacher, a West Point cadet, and a hoopskirt wire manufacturer. Bjorklund draws on the colorful stories of these autobiographers to show how their historical epoch shapes their understandings of self.

"A refreshingly welcome approach to this intriguing topic. . . . [Bjorklund's] extensive and systematic approach to her source material is impressive and enriches our understanding of this essential subject."—Virginia Quarterly Review

"Bjorklund studies both famous and obscure writers, and her clear prose style and copious quotations provide insight into the many aspects of the changing American self." —Library Journal

 

Contents

INTRODUCTION
1
Autobiographies as a Source of Data
8
Organization of This Study
12
AUTOBIOGRAPHY AS A SOCIAL SITUATION
16
Interaction with an Audience
17
The Presentation of Self
20
Telling a Story
37
THE SELF AS MORALITY PLAY
43
Historical Background
90
Theory of the Self
95
Telling the Story
114
Conclusion
121
THE BELEAGUERED SELF
124
Historical Background
126
Theory of the Self
130
Telling the Story
143

Historical Background
44
Theory of the Self
46
Telling the Story
62
Conclusion
64
MASTERS OF FATE
66
Historical Background
67
Theory of the Self
70
Telling the Story
85
Conclusion
86
THE UNCERTAIN SELF
89
Some Contemporary Variations
145
CONCLUSION THE AUTOBIOGRAPHY AS MORAL PERFORMANCE
158
METHOD
167
AMERICAN AUTOBIOGRAPHIES AN OVERVIEW
175
Notes
183
Primary Sources
213
Bibliography
219
Index
247
Copyright

Other editions - View all

Common terms and phrases

Bibliographic information