 | Samuel Johnson - 1824 - 548 pages
...there is no need of remarking, that where I mentioned the Italian painters in opposition to the Dutch,! mean not the moderns, but the heads of the old Roman and Bolognian schools ; nor did I mean to include in my idea of an Italian painter, the Venetian school, which may... | |
 | Samuel Johnson - 1825 - 702 pages
...sunk ; so that there is no need of remarking, that where I mention the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian schools ; nor did I mean to include in my idea of an Italian painter, the Venetian :hool, which may... | |
 | Samuel Johnson - 1825 - 488 pages
...; so that there is no need of remarking, that, where I mentioned the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bologuian schools ; nor did I mean to include in my idea of an Italian painter, the Venetian school,... | |
 | Samuel Johnson - 1825 - 610 pages
...; so that there is no need of remarking, that, where I mentioned the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bologuian schools ; nor did I mean to include in my idea of an Italian painter, the Venetian school,... | |
 | Samuel Johnson - 1825 - 510 pages
...mean not the moderns, but the heads of the old Roman and Bolognian schools ; nor did VOL. IT. — Bb I mean to include, in my idea of an Italian painter, the Venetian 8chool, which may be said to be the Dutch part of the Italian genius. I have only to add a word of... | |
 | Sir Joshua Reynolds - 1835 - 514 pages
...; so that there is no need of remarking, that where I mentioned the Italian Painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian Schools ; nor did I mean to include in my idea of an Italian Painter, the Venetian School, which may... | |
 | sir Joshua Reynolds - 1835 - 536 pages
...; so that there is no need of remarking, that where I mentioned the Italian Painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian Schools ; nor did I mean to include in my idea of an Italian Painter, the Venetian School, which may... | |
 | Sir Joshua Reynolds - 1846 - 506 pages
...sunk; so that there is no need of remarking, that where I mentioned the Italian Painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian Schools; nor did I mean to include in my idea of an VOL. II. K Italian Painter, the Venetian School,... | |
 | John Ruskin - 1856 - 450 pages
...sunk, so that there is no need of remarking, that where I mentioned the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian schools ; nor did I mean to include, in my idea of an Italian painter, the Venetian school, which may... | |
 | John Ruskin - 1856 - 452 pages
...sunk, so that there is no need of remarking, that where I mentioned the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman, and Bolognian schools ; nor did I mean to include, iu my idea of an Italian painter, the Venetian school, which may... | |
| |
Venetian school, which may be said to be the Dutch part of the Italian genius. I have only to add a word of advice to the painters, that however excellent they may be in painting naturally, they would not... 
