 | Samuel Johnson - 1767 - 366 pages
...; fo that there is no need of remarking, that where I mentioned the Italian Painters in oppofition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian Schools ; nor did I mean to include in my idea of an Italian Painter, the Venetian School, which may... | |
 | Samuel Johnson, John Hawkins - 1787 - 432 pages
...; fo that there is no need of remarking, that where I mentioned tht Italian painters in oppofition to the Dutch, I mean not the moderns, but the heads...be faid to be the Dutch part of the Italian genius. I have only to add a word of advice to the painters, that however excellent they may be in painting... | |
 | Samuel Johnson, John Hawkins - 1787 - 430 pages
...; fo that there is no need of remarking, that where I mentioned the Italian painters in oppofition to the Dutch, I mean not the moderns, but the heads...be faid to be the Dutch part of the Italian genius. I have only to add a word of advice to the painters, that however excellent they may be in painting... | |
 | Samuel Johnson, John Hawkins - 1787 - 442 pages
...funk; fo that there is no need of remarking, that where I mentioned the Italian painters in oppofition to the Dutch, I mean not the moderns, but the heads of the old Reman and Bolognian fchools ; nor did I mean Co include in my idea of an Italian painter, the fr'fneriax... | |
 | Samuel Johnson - 1801 - 432 pages
...funk; fo that there is no need of remarking, that where I mentioned the Italian painters in oppofition to the Dutch, I mean not the moderns, but the heads...old Roman and Bolognian fchools ; nor did I mean to in. elude in my idea of an Italian painter, the Venetian fchool, which may be faid to be the Dutch... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 pages
...; so that there is no need of remarking, that where I mentioned the Italian Painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian Schools ; nor did I mean to include in my idea of an Italian Painter, the Venetian School, which may... | |
 | sir Joshua Reynolds - 1801 - 450 pages
...; so that there is no need of remarking, that where I mentioned the Italian Painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian Schools ; nor did I mean to include in my idea of an Italian Painter, the Venetian School, which may... | |
 | 1803 - 222 pages
...sunk; so that there is no need of remarking, that where I mentioned the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian schools ; nor did I mean to include in my idea of any Italian painter, the Venetian school, which may... | |
 | Samuel Johnson - 1810 - 434 pages
...sunk; so that there is no need of remarking, that where I mentioned the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian schools ; nor did I mean to include in my idea of an Italian painter, the Venetian school, which may... | |
 | Samuel Johnson - 1811 - 386 pages
...there is no need of remarking, that where I mentioned the Italian painters in opposition to the rDutch, I mean not the moderns, but the heads of the old Roman and Bolognian schools ; nor did I mean to include in my idea of an Italian painter, the Venetian school, which may... | |
| |
Venetian school, which may be said to be the Dutch part of the Italian genius. I have only to add a word of advice to the painters, that however excellent they may be in painting naturally, they would not... 
