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" To conclude, then, by way of corollary : if it has been proved, that the painter, by attending to the invariable and general ideas of nature, produces beauty, he must, by regarding minute particularities and accidental discriminations, deviate from the... "
The Idler - Page 340
by Samuel Johnson, John Hawkins - 1787
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Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 754 pages
...association of ideas; and that, in creatures of the same species, beauty is the medium or centre of all its various forms. To conclude, then, by way of corollary:...invariable and general ideas of nature, produces beauty, he must, by regarding minute particularities and accidental discriminations, deviate from the universal...
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Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 744 pages
...association of ideas; and that, in creatures of the same species, beauty is the medium or centre of all its various forms. To conclude, then, by way of corollary:...invariable and general ideas of nature, produces beauty, he must, by regarding minute particularities and accidental discriminations, deviate from the universal...
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Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 752 pages
...association of ideas; and that, in creatures of the same species, beauty is the medium or centre of all its various forms. To conclude, then, by way of corollary:...invariable and general ideas of nature, produces beauty, he must, by regarding minute particularities and accidental discriminations, deviate from the universal...
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Resemblance & Disgrace: Alexander Pope and the Deformation of Culture

Helen Deutsch - 1996 - 300 pages
...Sir Joshua Reynolds most influentially legislates this equation of the detail with natural defect: "If it has been proved, that the painter, by attending...invariable and general ideas of nature, produces beauty, he must, by regarding minute particularities, and accidental discriminations, deviate from the universal...
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Abstraction and the Classical Ideal, 1760-1920

Charles A. Cramer - 2006 - 196 pages
...Explicitly equating "beauty" with the "general idea," and "deformity" with the "particular," Reynolds wrote: "If it has been proved that the Painter, by attending...invariable and general ideas of Nature, produces beauty, he must, by regarding minute particularities, and accidental discriminations, deviate from the universal...
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