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" No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,... "
Every Saturday - Page 180
1872
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The Genuine Article: Race, Mass Culture, and American Literary Manhood

Paul Gilmore - 2001 - 292 pages
...exploitation, a picturesqueness he connects in "Old News" and "Chiefly About War Matters" to racial difference: "No author, without a trial, can conceive of the difficulty...antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily the case with my...
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The Cambridge Companion to Emily Dickinson

Wendy Martin - 2002 - 276 pages
...Tocqueville (in Democracy in America, 1840) and Hawthorne (in his preface to The Marble Faun, 1860): No author, without a trial, can conceive of the difficulty...antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my...
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Americans in Florence: A Complete Guide to the City and the Places ...

Alta Macadam - 2003 - 200 pages
...conspicuous tower of the huge Villa di Montauto. Nathaniel Hawthorne and The Marble Faun ize its traits... No author, without a trial, can conceive of the difficulty of writing a In the 185os Nathaniel Hawthome stayed at the Villa di Montauto. In a letter written at that time he...
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Refiguring Huckleberry Finn

Carl F. Wieck - 2004 - 257 pages
...Nathaniel Hawthorne's The Marble Faun.12 Hawthorne had ironically bemoaned the situation in America where No author, without a trial, can conceive of the difficulty...antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my...
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The Portable Henry James

Henry James - 2003 - 676 pages
...of many Americans who have tried to write novels and to lay the scene of them in the western world. "No author, without a trial, can conceive of the difficulty...antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my...
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Refiguring Huckleberry Finn

Carl F. Wieck - 2004 - 257 pages
...Nathaniel Hawthorne's The Marble Faun.12 Hawthorne had ironically bemoaned the situation in America where No author, without a trial, can conceive of the difficulty...antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my...
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Europa interdisziplinär: Probleme und Perspektiven heutiger Europastudien

Brigitte Glaser, Hermann Josef Schnackertz - 2005 - 232 pages
...where actualities would not be so terribly insisted upon, äs they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty...antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, äs is happily the case with...
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Hawthorne and the Real: Bicentennial Essays

Millicent Bell - 2005 - 238 pages
...American scene where "actualities" were "so insisted upon." No author, without a trial," he writes, "can conceive of the difficulty of writing a Romance...antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily the case with my...
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Haunted Museum: Longing, Travel, and the Art-romance Tradition

Jonah Siegel - 2005 - 308 pages
...where actualities would not be so terribly insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty...where there is no shadow, no antiquity, no mystery. 12 Not only is it the case that James criticizes Hawthorne for doing precisely what the earlier author...
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Canadians and Americans: Myths and Literary Traditions

Katherine L. Morrison - 352 pages
...attitude toward the past, for in the preface to his last novel, The Marble Faun ( \ 860), he speaks of the "difficulty of writing a romance about a country...antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my...
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