| Oxford Historical Society (Oxford, England) - 1897 - 584 pages
...will appear hyperbolical: but with that allowance we may justly cherish the memory of Peele as the oldest genuine dramatic poet of our language. His...poetry. His fancy is rich and his feeling tender. . . . There is no such sweetness of versification and imagery to be found in our blank verse anterior... | |
| Robert Chambers, David Patrick - 1901 - 862 pages
...drama ; but it lends itself admirably to quotation. It used to be highly praised. Campbell called it 0 D! D! Charles Lamb disrespectfully thought 'a surfeit' the inevitable consequence of reading much 'of the... | |
| Robert Chambers - 1902 - 868 pages
...drama ; but it lends itself admirably to quotation. It used to be highly praised. Campbell called it ' the earliest fountain of pathos and harmony that can be traced in our dramatic poetry ; ' Charles Lamb disrespectfully thought 'a surfeit' the inevitable consequence of reading much 'of... | |
| Charles Wells Moulton - 1910 - 812 pages
...ranks him above Greene. Campbell, in an often-quoted passage, pronounces his "David and Bethsabe" to be the "earliest fountain of pathos and harmony that can be traced in our dramatic literature, ' ' and goes on to speak of the "solid veracity" and ' ' ideal beauty' ' of his characters.... | |
| 1846 - 1476 pages
...abgefфmarfteé ©tucf, unb wenn д!с{ф man eé 6ie unb ba wegen ber *) (Samuel! fagt üb« $tele: His David and Bethsabe is the earliest fountain of...dramatic poetry. His fancy is rich and his feeling lender; and his conceptions of dramatic character have no inconsiderable mixture of solid veracity... | |
| Oxford Historical Society (Oxford, England) - 1897 - 588 pages
...will appear hyperbolical ; but with that allowance we may justly cherish the memory of Peele as the oldest genuine dramatic poet of our language. His...poetry. His fancy is rich and his feeling tender. . . . There is no such sweetness of versification and imagery to be found in our blank verse anterior... | |
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