| Austin Dobson - 1882 - 322 pages
...the ' modern academics ; what glorious works might we ' then have expected from his divine pencil I ' I shall trouble you no longer with my friend's observations,...very qualities by which that great name was acquired. Those Critics are continually lamenting that Raffaelle had not the colouring and harmony of Rubens,... | |
| AUSTIN DOBSON - 1883 - 590 pages
...the ' modern academies ; what glorious works might we ' then have expected from his divine pencilI' I shall trouble you no longer with my friend's observations,...very qualities by which that great name was acquired. Those Critics are continually lamenting that Raffaelle had not the colouring and harmony of Rubens,... | |
| Sir Joshua Reynolds - 1887 - 330 pages
...of the modern Academies; what glorious works might we then have expected from his divine pencil ! '' I shall trouble you no longer with my friend's observations,...very qualities by which that great name was acquired. 396 These Critics are continually lamenting that Raffaelle had not the Colouring and Harmony of Rubens,... | |
| Sir Joshua Reynolds - 1887 - 332 pages
...of the modern Academies ; what glorious works might we then have expected from his divine pencil ! " I shall trouble you no longer with my friend's observations,...very qualities by which that great name was acquired. 396 These Critics are continually lamenting that Raffaelle had not the Colouring and Harmony of Rubens,... | |
| William Peacock - 1903 - 408 pages
...of the modern academies ; what glorious works might we then have expected from his divine pencil!' I shall trouble you no longer with my friend's observations,...time that great admiration is pretended for a name of £xed reputation, objections are raised against those very qualities by which that great name was acquired.... | |
| Austin Dobson - 1914 - 326 pages
...Raffaelle had not lived in this ' enlightened age, since the art has been reduced to 'principles, and had had his education in one of the ' modern academies...very qualities by which that great name was acquired. Those Critics are continually lamenting that Raffaelle had not the colouring and harmony of Rubens,... | |
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