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WorldCat.org

<html><body><h1>THE OBJECTIVE EYE</h1>Color, Form, and Reality in the Theory of Art<hr noshade size="1">By John Hyman</hr><h4>THE UNIVERSITY OF CHICAGO PRESS</h4>Copyright &copy; 2006 The University of Chicago All right reserved. ISBN: 978-0-226-36553-4 <hr noshade size='1'></hr><h3>Contents</h3><pre>List of Illustrations...........................xiPreface.........................................xvIntroduction....................................1COLOR1. Galileo's Myth...............................112. Frames of Reference..........................293. Perceiving Powers............................45DEPICTION4. Art and Imitation............................595. Art and Occlusion............................736. Art and Optics...............................1137. Art and Experience...........................127REALISM8. Words and Pictures...........................1559. Realism and Relativism.......................18110. The Canvas of the Brain.....................211Conclusion......................................237Notes...........................................239Bibliography....................................269Credits.........................................277Index...........................................279</pre> </pre><blockquote><hr noshade size='1'>Excerpted from THE OBJECTIVE EYEby John Hyman Copyright &copy 2006 by The University of Chicago. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.<hr noshade size='1'></blockquote></body></html>

xix, 286 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm

'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective

The objective eye : color, form, and reality in the theory of art